Vybz Kartel's Trinidad Fallout Ignites Contractual Firestorm at One Caribbean Music Festival

Thousands of eager fans in Trinidad and Tobago were left reeling after dancehall superstar Vybz Kartel failed to perform at the One Caribbean Music Festival (OCMF) on May 31. This article dissects the dramatic turn of events, revealing alleged contractual breaches by the promoter, exposed financial details, and the stringent conditions placed on the "World Boss's" entry into T&T, all while the festival vowed to carry on.

Brenda Ochieng'
June 8, 2025
Port of Spain, Trinidad and Tobago – The highly anticipated return of dancehall titan Vybz Kartel, born Adidja Palmer and affectionately known as the "World Boss," to the Trinidad and Tobago stage was poised to be an electrifying highlight of the One Caribbean Music Festival (OCMF) on May 31. However, what was promised as a monumental comeback dissolved into bitter disappointment for thousands of fervent fans when, mere hours before the event, Kartel's management officially announced his withdrawal. The reason: an alleged failure by the festival's promoter to meet crucial contractual obligations.
The drama unfolded swiftly on the day of the festival. A press release issued around 4:10 PM, disseminated by local advertising agency Lonsdale Saatchi & Saatchi on behalf of Kartel's international management team, confirmed the devastating news. The statement unequivocally declared that Vybz Kartel would neither appear nor perform at the Queen's Park Savannah, citing the non-fulfillment of contractual requirements as the primary reason.
Kartel's team emphasized their consistent efforts to resolve the outstanding issues over the preceding months. Despite these attempts, the promoter allegedly proved unable to meet the stipulated requirements outlined in the performance agreement. "Vybz Kartel has always been committed to delivering captivating and unforgettable performances for his fans," the release asserted. "However, we cannot in good conscience allow him to participate in an event where the organisers have not honoured their basic contractual obligations." This firm stance underscored a commitment to professional integrity, even at the cost of disappointing a massive fanbase.
This was not the first hiccup for the One Caribbean Music Festival. Originally slated for February 28, Carnival Friday, the event had already been postponed to May 31. Organizers had previously attributed this delay to "unforeseen logistical challenges," citing the "high volume of back-to-back events at our chosen venue (Queen's Park Oval) during Carnival week" and the unavailability of other major venues like Hasely Crawford Stadium for the Carnival 2025 season. These prior postponements, coupled with the last-minute artist cancellation, painted a picture of organizational complexities.
Despite the monumental no-show from its headliner, OCMF organizers were quick to assure the public that the show would indeed go on. A subsequent release, dispatched around 6:45 PM on May 31, formally apologized for Kartel's absence. This statement, however, peeled back the curtain on some intriguing financial details regarding the dancehall superstar.

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The OCMF release revealed that Vybz Kartel had been formally contracted to perform for a staggering US$1.35 million. Of this sum, a substantial US$950,000 had already been paid directly to the artiste, with an additional US$150,000 disbursed to his legal representative. The organizers claimed that earlier in the week, Kartel's management requested an adjustment to his travel itinerary, rescheduling his flight to May 30, which was met in "good faith." However, the crux of the dispute, according to OCMF, lay in the final balance: "The remaining balance due was made available in full, however, due to legal and financial regulations in TT, the organisers were unable to disburse the final amount in cash." The organizers further expressed frustration, stating they were only made aware of Kartel's cancellation through media reports, a mere five hours before the event was set to begin.
Notwithstanding this "sudden and disappointing development," OCMF reassured patrons that with all necessary licenses, permits, and personnel in place, and with other key performers like Malie Donn, Chronic Law, and Rvssian already on the island, alongside headliners Moliy and Sizzla Kalonji en route, the show would proceed.
The contractual dispute also brought into focus the festival's refund policy. While OCMF's website stipulated that patrons could receive a full refund if the event were cancelled, tickets remained valid for rescheduled dates, with refund requests accepted within ten days of a reschedule announcement if attendees could not make the new date. Crucially, the policy stated, "Tickets are non-refundable unless the event is cancelled by the organiser, Jacho Entertainment Ltd." It also included clauses for "cases beyond control" like natural disasters, in which case alternate solutions might be offered. Frontline Ticketing, an online vendor, offered a glimmer of hope to patrons who purchased through its platform, stating that refund requests would be reviewed.
Adding another layer to the unfolding drama, state-owned Angostura rum company issued a statement distancing itself from the production, management, and creation of the concert. As a brand sponsor through its flagship White Oak rum, Angostura clarified that it had fulfilled all its obligations to the event promoter, expressing regret over the contractual disagreement between Kartel and the promoter. This statement was particularly notable given Kartel's launch of his STR8 VYBZ rum line, manufactured and distributed by Angostura Ltd, in December of the previous year.
Beyond the financial and contractual wrangling, Kartel's potential appearance was steeped in national security considerations. Defence Minister Wayne Sturge had previously justified stringent restrictions imposed on Kartel during his proposed stay in T&T, citing the "well-being of the country's children." While a permit was granted on May 22 for him to enter and perform at OCMF, it came with strict terms: posting a security bond (figure redacted), and severe limitations on his activities. He was allowed only brief radio interviews on May 28 and explicitly banned from engaging in "crime awareness function activities, panel talks, community walkthrough, meet with officials and similar type activities and meetings." Furthermore, he was prohibited from communicating "any words or engage in any activity which may likely be construed as promoting a gang – contrary to the provisions of the Anti-Gang Act," and even banned from singing his controversial song "Good Like Jesus." At the festival venue itself, authorities imposed strict rules, banning guns, glass bottles, and cannabis. Gold commander acting ACP Garvin Henry assured a high police presence to maintain order.
The Vybz Kartel no-show at One Caribbean Music Festival serves as a complex case study in the multifaceted challenges of large-scale event promotion, celebrity contracts, and national security considerations. While fans were left disappointed, the incident has laid bare the intricate negotiations and stringent conditions that underscore the seemingly glamorous world of international music festivals.

About the Author

Brenda Ochieng'

Brenda Ochieng'

Brenda Ochieng' is a passionate storyteller and film enthusiast. With a background in film and video production and she brings a unique blend of creativity and technical expertise to her work. As a dedicated blogger, Brenda loves sharing insights on production techniques, blogging, and the art of storytelling. She is also a skilled editor and communicator, bringing a fresh perspective to her writing. Join Brenda as she delves into the captivating world of entertainment and news, sharing her knowledge and passion with you.

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